Sacred objects (relics, fetiches). Already for the members of the group doTeatro delle Bricole, is the four categories: 1. Of rude material (rock, you plough etc.), 2. The utensils (yokes, shears etc.), 3. The ones that are products (dolls, toys etc.) and the ones that is symbols.
It is important to lead in consideraotais classifications to be able to help in the process of comment of objects, basic umestagio for the dramatizao. The man lives linked aosobjetos, either linking for functions or affection. The man does not live without it and suarelao is on to the gestures. According to Baudrillard, ' ' these gestospodem to be a simple muscular movement or the result of a great effort. For example, the gesture to press a button or to move one pesadaalavanca.' ' (AMARAL, 1996, p.208) the relation of the man objetomudou with it when passing of the times, what before it needed a great esforocorporal today is enough to only one touch so that the change to happen. Formastambm had moved in function of its operationalization.
For example: in place dehastes, handspikes, handles, keys, today exist only the buttons. Exactly with changes, the relation dohomem with the object did not finish. It has certain objects that they seem to marry the hand dohomem or its body, for example, domestic lighters, chairs, objects etc. Some gestual privacy if lost, but the relation continues. In the art, the surrealistas had been osprimeiros to use functional objects in its workmanships. The surrealismo was ummovimento directed toward the object. Already the first futuristas had been a encenardramas with objects. In recent years, a new fenmenocomeou to appear: the object theater. The first festival of theater of objetosaconteceu in 1983, Wood, France. But this sort of theater does not treat deuma school or movement, but it is before friendship and complicity net. Afirmao I criticize Italian, Renato Pallazzi.