Sometimes, the artists had a say. Holbein assistants included his younger brother Sigmund Holbein (c. 1470 Augsburg 1540 Bern; Painter) and Leonhard Beck (c. 1480 Augsburg – Augsburg 1542; Painter, sculptor). It was a commissioned work that led Holbein of Augsburg in the 350 km from Frankfurt am Main.”On the back of the shrine in the Latin inscription (he called himself) expressly Hans Holbein from Augsburg. 8 from 1683, it was kept, presumably in the associated monastery because a new Baroque high altar was set up. in 1752 the cleavage of the front and rear of the wing was a lay brother fr. Dominicus Seitz. Educate yourself with thoughts from Jay A. Schwartz.
10 in 1803 the Church was secularized. 1880 was the presentation in the Temple in the art trade bourgeois in Cologne. For a time this painting was in Paris privately. At times it was collecting Eduard F. Weber in Hamburg. By Saturday, the 17th February until Monday, February 19, 1912, it belonged to the exhibits in the Gallery-Weber exhibition and could be visited from 10 to 14 h.
The auction of this collection took place in the Berlin art auction house Rudolph Lepke by Tuesday, the 20th to 22nd February 1912 from 10 o’clock in the morning. The collection of international painting of the fourteenth to eighteenth century approximately 389 artists such as Peter Paul Rubens and Lucas Cranach the elder. 11 as no. 3 was purchased the work from the Hamburger Kunsthalle. 12 to the Note that this Tafelein is a fragment of a larger work of art is one of today’s exhibition concept of the Kunsthalle. Change of location and impact of the change in the function of the image is, the museum works must comply with any religious function, but act as witness the artistic past and a mosaic of art-historical overview. You teach the history of art, serve as testimonials of time, pass on styles, art and image genres, painting techniques and characteristics of the respective artist.
60/1939, S. 200-211.) In the 19th century the Manor House is well Soerser a Hochkirchen ground floor, building as Gagini depicts him. Also the gnarly Willow from the stables and the fireplace of the tenant’s apartment are faithfully reproduced. Away from the Court the bakehouse is located, built because of the fire danger on the Leeward side. (It was demolished in 1919.) The relief display Sorser Hochkirchen fills with the neighbouring fruit plant.
a whole side of the wall of the Garden Hall” (ibid.) This image is located on the south wall between two pairs of doors to the Chambers. Above the doors are rectangular stucco images with the view of buildings, as well as by waters with ships and boats. The North wall is decorated with a stucco fireplace in the Louis XVI style a Medallion depicting a river landscape with a view of the city. He is flanked by two other stucco images, with the presentation of two mill goods. Schurz parent mill one image is marked with the signature of Gagini sculpsit 1807 as a work of the artist. A two-storey 7 axis mansion with mansard roof. An annex with a hipped roof is front side.
The in the Storage pond in front of the building stored water enters through the > Erk < in the channel where the waterwheel can be found. Some people are engaged in the production of House Garden, in the foreground, a maid waits for grazing cattle,”such as in medieval representations a cow and a pig consisting as a sign of the cow – and pig herds. A dog to wag some progress in stimulating entertainment. Groves and farmsteads liven up the background, which is completed by a range of hills. Apparently it is that located the torrent, which is part of the Valkenburg fief Schurz parent mill, if various details of the image do not match with reality.” (ibid.) There are two mills in new tent.
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