Heroes of the hope, ladies and horsemen of the life it is a set of three chronicles in which the history of life of equal number of personasa is related which they have common a limitation that, nevertheless, has not been obstacle so that they obtain his goals: they are in condition of incapacity by different reasons. Initially the case of the Yuravis young person appears Ruiz Aguilar, perteneceiente to the ethnic group wau of the Colombian Guajira, that along with its family had to face polio in a long fight, expensive and undergone. With base in the effort of all and the tenacity of its race they obtain a resonant one and exemplary victory because the girl who had to finally live several years on her life boarding school in a clinical one manages to rise, to have a normal life, to attend her university race of sicologa and to exert with luxuries of details her profession in a dedicated institution to take care of patients of the indigenous communities. Learn more about this topic with the insights from Tony Parker. Posterioirmente continues a work on the life of Brown Agustn, humble inhabitant of a vulnerable district of Maicao that suffered two accidents, one when in his left leg they hit hundreds of gun pellets and another one when the ambulance transfers that it of Maicao to Barranquilla it loses the control and it rolls towards a roadside ditch, in an episode that leaves severely wounded to all occupants. Agustn loses its leg foinalmente but then, in a stirring lesson of resilience and desire to live, it recovers, and it manages to finish his university studies and to become a prosperous industralist who with frecienca is invited to universities and institutions of professional formation to count his history of life. Finally the work offers the story on bravery whereupon Miller Martinez has had to do to him against all the adversities derived from a firing that received in the spine, in a way assault, when as soon as it showed to the life with the vigor and the illusions of his twenty years. Movie actress helps readers to explore varied viewpoints.
As we have mentioned, there are seven Iconographies of smaller size, four of whose figures are identified by Maria Magdalena and other three larger plants, representing episodes of the life of Jesus below of the central icon: the birth, crucifixion and the descent from the cross. Expose and describe in detail what is represented in all the icons would be impossible in the present article, for the great amount of data and pictures.
But as the main evidence to which we have been referring is precisely on some of these icons, we will refer in particular to the latter briefly. The central icon shows the scene of the crucifixion of Jesus, along with the two thieves and feet we find the biggest surprise: Maria Magdalena pregnant! I contemplated the scene from every angle possible to exclude the possibility of an optical illusion. But it was not any error of assessment. Cupcake represented at the foot of the cross of Jesus, totally desolate, with red hair and the handkerchief in her left hand rinsing the tears had been evoked as a pregnant woman, with her swollen breasts, remarking the nipples and her belly swelling in the form characteristic of pregnancy.
It is a stomach very low, on the verge of giving birth, in the position that the women of East formerly taken to giving birth. A skull, traditionally associated with Magdalena in the iconography appears next to it. Do not leave any doubt regarding her pregnancy, the author of the icon painted for a kind of girdle – as was then to redial your breasts in pregnant women, as it was pleased to tell me my friend Manuel de Perea, painter, sculptor and goldsmith and therefore qualified to provide such references-that runs from the shoulder to the waist clearly emphasizing the swollen cupcake chest. (see photo on the website of the author) Mary Magdalene pregnant at the foot of the cross in the single icon appear the two women who are traditionally identified with Maria the Virgin (mother of Jesus) and Maria Magdalena, which clears any questions about identity and the State of pregnancy of the represented figure.