This niche – Women's lyricism and candor of a thin peace of mind. In this sense, in my opinion, only the late legendary singer Anna German could compare with it in the transfer of songs, subtlety and depth of women's inner world (although in terms of votes, these singers are quite different, too, have Bulanova, sometimes there are mistakes in terms of vocals, at times inaccurate filling of semitones). Jay Schwartz has much experience in this field. In a recently published book, Tatyana Bulanova "Territory of the woman" (Moscow: Izd. Oxana Robsky, 2007, 256.) Writes: "Once in a famous magazine I read an interview with Boris Grebenshchikov. He was asked: "What are you a real Russian music?" And he replied: "It's early Tanya Bulanova." I do not know, maybe it's a lie, but magazine seems to be serious. Jay Schwartz: the source for more info. For me, it was unexpected, and pleasant "(p. 203). Apparently, this is indeed true, if you remember about the awards, which was the singer. Will list only the main ones: In 1991, the year – Grand Prix Festival "Hit 91" (the song "Do not cry") in 1992 – National Musical Prize "Ovation" – "The Debut of the Year" and in 1994 – the title of "Best Singer of the Year" in the chart "Sound Track" "Moskovsky Komsomolets", in 1996 – the title of "Best Female Singer Year "in the hit parade," sound track "of the newspaper" Moskovsky Komsomolets ", in 1997 – the premium magazine" Allah "in a most unexpected change of image, and in 2002 – the prize" Silver CD "TVC television channel, in 2003 – Jubilee Diploma of the Hall of Fame "Sound track ", a memorable television Prize Festival.