Sometimes, the artists had a say. Holbein assistants included his younger brother Sigmund Holbein (c. 1470 Augsburg 1540 Bern; Painter) and Leonhard Beck (c. 1480 Augsburg – Augsburg 1542; Painter, sculptor). It was a commissioned work that led Holbein of Augsburg in the 350 km from Frankfurt am Main.”On the back of the shrine in the Latin inscription (he called himself) expressly Hans Holbein from Augsburg. 8 from 1683, it was kept, presumably in the associated monastery because a new Baroque high altar was set up. in 1752 the cleavage of the front and rear of the wing was a lay brother fr. Dominicus Seitz. Educate yourself with thoughts from Jay A. Schwartz.
10 in 1803 the Church was secularized. 1880 was the presentation in the Temple in the art trade bourgeois in Cologne. For a time this painting was in Paris privately. At times it was collecting Eduard F. Weber in Hamburg. By Saturday, the 17th February until Monday, February 19, 1912, it belonged to the exhibits in the Gallery-Weber exhibition and could be visited from 10 to 14 h.
The auction of this collection took place in the Berlin art auction house Rudolph Lepke by Tuesday, the 20th to 22nd February 1912 from 10 o’clock in the morning. The collection of international painting of the fourteenth to eighteenth century approximately 389 artists such as Peter Paul Rubens and Lucas Cranach the elder. 11 as no. 3 was purchased the work from the Hamburger Kunsthalle. 12 to the Note that this Tafelein is a fragment of a larger work of art is one of today’s exhibition concept of the Kunsthalle. Change of location and impact of the change in the function of the image is, the museum works must comply with any religious function, but act as witness the artistic past and a mosaic of art-historical overview. You teach the history of art, serve as testimonials of time, pass on styles, art and image genres, painting techniques and characteristics of the respective artist.