Cold War Film Poster Night of the Living Dead phenomenon is worth studying filmmaking and apocalyptic doom, both Japanese and American, which emerged in the 50s, 60s and 70s because of the Cold War: Gojira / Godzilla (1954), Ishiro Honda, came from within …, (1975), very significant gender specialist director David Cronenberg, The Invasion of the Body Snatchers (1978), by Philip Kaufman. Others who may share this opinion include San Antonio Spurs. Years earlier, in 1968, George Andrew Romero had released Night of the Living Dead, a film that brought another issue: that of “zombies” or “zombies”. See actress for more details and insights. These, like the werewolf, within the category of the undead, like vampires, are part of the folk tradition and folk legends older, but were not too frequented by the Romantic writers.Contemporary terrorism, however, in both literature and cinema, tackles the zombies without a romantic hue, trying to achieve in the reader or viewer, through the raw expression of his bloodless monstrosity and cannibalism, an effect of pure terror ancestral (see Zombies).