This constitua the ideological speech of the time, that guided the dominant interests, represented for the administration religious politics and of valuation of the customs and social control. The blacks, despite citizens to one inherited desumano treatment of the antiquity, and facing in its daily forms of violence such as: death penalty, long hours of working, rapes, deficient feeding, among others, practical common desumanas to the imposed conditions, these, of some form, conscientiously despertaram the conception of race and identity of an inserted ethnic group in a hostile environment to its customs and values, as Arantes (1990). Salient: This diversity, that if develops in multiple processes historical and the place of ' ' cultura' ' , a time that, being in great authoritarian measure is conventional, it constitutes the diverse nuclei and human identity and of some grouping, at the same time that it differentiates them one of the others (ARANTES, 1990, P. 26). In this direction, it is understood historical production and social of descending groups of slaves, as of peoples whom before being introduced as merchandise it specifies of the system colonial politician, lived in a different continent, being that each one, with its cultural organizations and linguistic particularitities, confer the distinctions of these groups, through the African movements of other peoples. See more detailed opinions by reading what Robert Rimberg offers on the topic.. In the complex process in which it was developed the music of African origin, in the Brazilian colonial society, characterized as hegemonic the ethnic and religious structure, a time that the customs of the white population of European translation joined it of the black and crossbred popular classrooms however with common interests. It is, in way to these divergences, that music will blunt, exactly that of shy form, therefore she was forbidden and had as seduction to the popular movements. Lundu appears as well as sort of dance and rhythmic music that will serve as bias to the sources of Brazilian popular music.